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What does croise derriere mean in ballet?

What does croise derriere mean in ballet?

Basically, a croisé position is when the legs appear crossed from the audience. This can be done in croisé derriére or croisé efface, or back and front. Croisé is used to describe any position of the body and legs, so a grande jeté could be done croisé, but also effacé.

What does croise mean in ballet?

Croise´ Crossed. The crossing of the legs with the body placed at an oblique angle to the. audience. (

What is a croise?

Definition of croise (Entry 1 of 2) obsolete. : to make the sign of the cross on or over (a person) especially in sanctification of a vow to fight the foes of Christianity. croisé

What is efface derriere?

Épaulé is usually used when in effacé derrière (the body facing downstage) and the upper body twists in second arabesque allowing the audience to see your upper back, and the head inclined towards the audience. Épaulé derrière is usually reffered to when the dancer is facing upstage and exposing the upper back.

What is croise Devant?

Croisé devant, meaning crossed to the front, is a beautiful position that accentuates the line of the working leg 🙌🏼

What is Epaule in ballet?

Definition of épaulé ballet. : having one shoulder forward.

How do you pronounce croise in ballet?

Here are a handful of terms that can be confusing to the untrained ear, and what makes them different.

  1. En croix vs. Croisé En croix (pronounced ahn-crawh), means “in the shape of a cross”.
  2. Tendu vs. Fondu. Tendu (pronounced tahn-doo), means “stretched”.
  3. Sous-sus vs. Sauté

What is a Soutenu in ballet?

Soutenu is a classical ballet term meaning “sustained” and describes a ballet dancer turning in a sus-sous or fifth position en pointe and ending up with the opposite foot in front.

What is a Tendus Devant?

Tendu Devant (front) Little toes release first to close back to first or fifth position, not the heel to prevent sickling.

What is port de bras in ballet?

port de bras, (French: “carriage of the arms”), in classical ballet, both the general arm movements of a dancer and a designated set of exercises designed to improve the quality of these movements. The port de bras of classical ballet is meant to be a graceful and harmonious accent to the movements of the legs.