Ageing
beauty
Approaching 50 and ageing
on screen, doesn't seem to faze actress
Michelle Pfeiffer as it does other Hollywood
stars. She talks to Steve Pratt about
her latest film, Stardust
The
Hollywood actress who has featured no
less than six times in People's Magazine
50 Most Beautiful People In The World
list is looking the worst for wear. She
resembles - and I hesitate to be unkind
about Michelle Pfeiffer
- the grandmother of all hags with sagging
flesh, drooping wrinkles and pasty skin.
I'm happy to be able to report that this
isn't the way she normally looks. This
is what she looks like in her new movie.
She owes her bad looks to the make-up
team as she plays a wicked witch who ages
every time she uses a spell in the fantasy
film Stardust.
For the star of such movies as The
Witches Of Eastwick, One
Fine Day, The
Fabulous Baker Boys and Batman
Returns, this film is the second
of her comeback films this summer. Earlier
we saw her in the musical Hairspray,
as scheming, untrustworthy but glamorous
Velma Von Tussle. Apart from lending her
voice to an animated feature, she's been
absent from the screen for five years.
Yet Stardust
so nearly didn't happen because of the
lengthy make-up process required to transform
her into witch Lamia. "I
really hate it when I hear actors whine
about things, but it was difficult I have
to admit," she says, the day
after the London premiere of the film
directed by Layer
Cake director Matthew
Vaughn.
"The
very first time they applied the prosthetics,
which was in California, it took about
six hours. It never occurred to me what
that would feel like and the claustrophobia
that would set it. My
entire face, head and neck were encased
in rubber. The only thing that was left
of me was the tip of my nose and my eyeballs.
I panicked and immediately thought 'how
do I get out of this?' because I didn't
honestly think that I could do it."
She retreated to the bathroom because
she didn't want all those who'd worked
so hard and long on the whole look to
know how upset she was. From there, she
called Vaughn on her phone and he, as
she puts it "talked
me off a ledge".
Although she came to terms with the elaborate
make-up, nothing could be done to remove
it any quicker. "It
wasn't one of those situations where you
could say 'ok, I want to get out of this
now'. It took an hour to get it off because
they peeled it off your skin and they
could only go so fast. If they tried to
go any faster you could lose a layer of
skin. So
it was a lot of books on tape, fortunately
we had a great crew, a great sense of
humour and we laughed a lot. I think it
was the humour in the trailer that kept
our sanity."
As she approaches 50, the actress who
worked as a supermarket checkout girl
before entering movies doesn't appear
worried about losing her looks.
She admits it was "disturbing"
seeing herself aged. "I
got used to that fairly quickly though,"
she says. "But
I have to say even though we really pushed
the limits of reality - you'd really be
dead long before you looked like that
- the really disturbing stage for me was
the half-aged, half my face because you
could look in the mirror and really see
where you're going. I didn't like that
one so much."
The
film's approach to youth and beauty was
one aspect that attracted her to the project.
That and the fact it wasn't a typical
fantasy or any one genre. It's a lot of
different genres all mixed into one -
an adventure story, romantic, magical,
dark, and also incredibly funny and very
epic. "Yet
at the same time it had a very contemporary
modern tone to it and the humour was very
modern," she adds.
Then she sat down with Vaughn who talked
more specifically about the character
and the commentary he wanted to make on
society's obsession with youth and beauty
and perfectionism.
"He wanted
to really poke fun at that and see how
far we could take it. I thought that was
kind of risky, courageous and unusual,
I felt, for a man, honestly, to be thinking
about those issues. So that intrigued
me, and also he's so young, so why would
he even be thinking about that? It
was one of those things where I knew if
I didn't do it, I would end up regretting
it and I didn't want someone else playing
this part."
Unlike other actors, Pfeiffer doesn't
hide behind her children as an excuse
for making a family film like Stardust.
She owns up to being "completely
selfish" when choosing the films
she makes and parts she plays.
"I'm committed
and focused on my kids when I'm not working
and when I go to work it's for me. I'd
done a movie before this, which was a
year before, and that was like getting
my feet wet again and finding my way and
discovering that it really isn't like
getting back on a bike after all that
time.
"As hard as this
movie was - and it was very challenging
- by the end of it I felt like all the
pistons were going and fired up. I remembered
what it was I love about the work and
how much it really gives me as a person.
I knew my children would love it, but
I didn't do it for them. The only thing
I consider in terms of my family in my
decision-making process is whether it's
anything that could embarrass them or
cause them grief in any way. Other
than that it's purely selfish on my part.
However, I did love this summer having
two films coming out that I could share
with them because they have hardly seen
anything that I've done."
Despite
her long service and status in Hollywood,
she doesn't feel qualified to hand out
advice to those starting out in the business.
It's changed so much since her first days,
she says.
"First of
all, I'm reluctant to give advice to people
about anything because everyone comes
into this business in a different way
and the rules that applied when I started
out really don't anymore. People come
into showbusiness in all kinds of crazy
ways and I honestly wouldn't know what
to tell them."
What she does feel qualified to comment
on is the weather in the Isle of Skye
and Scotland, where Stardust
was filmed. The landscape was rugged and
not the easiest location she's been on.
"The weather
was fierce at that time of year, but apparently
we had to go because if you waited another
month there were these little bugs that
would eat you alive. So you either got
hailed on or eaten alive."
The wind was so fierce that they had to
anchor her, literally cabling herself
to the mountain, because they feared she
was going to blow off the cliff. "If
that wasn't enough I also thought my make-up
artist was jabbing me with the powder
brush, but then realised I was being hailed
on. It was brutal."
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